Museum of Islamic Art Museum of Islamic Art Architecture
The Museum of Islamic Art Doha
The new Museum of Islamic Fine art in Doha, which opened in 2008, is a stunning building from the outside. But its interior designers also aimed to draw the eye to its exhibits with beautifully presented showcases. SCHOTT AMIRAN® drinking glass proved to be the perfect cloth for the job.
Cardinal figures
Background
When renowned architect I. Thousand. Pei drew upwardly his vision for the new Museum of Islamic Art in Doha in the early 2000s, he wanted both the outside and interior to catch the middle – about every bit much as the artworks housed in that location. The edifice would accept a distinctive modern-meets-traditional blueprint based around geometric patterns and ancient Islamic compages, while the interior would feature a similarly postmodern alloy of styles. There, the 410 display cases would take the task of drawing the visitor'due south middle in one case they moved into the principal exhibition spaces.
Task
Interior designer Jean-Michel Wilmotte was chosen to fine-melody the inside of the v floors of the museum to nowadays the exhibitions in an bonny setting. He chose exotic Brazilian forest, night greyness porphyry, and metallic woods to dissimilarity with the low-cal brickwork. Of course, the eye needed to be fatigued first to the exhibits themselves, while ensuring that they were fully secure and protected from light and other atmospheric factors. Wilmotte wanted a clean, minimal look for the cases to optimize viewing from whatever angle.
Solution
The anti-reflective properties of SCHOTT AMIRAN® were ideal for the display cases of the Doha MIA. The cobweb optic lighting within the exhibition areas could have been an issue if traditional bladder drinking glass had been used for the brandish cases, since reflections would have obstructed the view. But the high manual of AMIRAN® removed this trouble, while also meeting strict security requirements, thanks to the thermally toughened condom drinking glass panes providing robust protection against breakage or vandalism.
The Museum of Islamic Art has a traditional design based on aboriginal Islamic compages
SCHOTT AMIRAN® offers strong anti-cogitating properties and robust protection
Cobweb optic lighting provides pinpoint illumination for the museum's precious exhibits
The advantages of AMIRAN®
There are several advanced features of SCHOTT AMIRAN® that have resulted in it being used in office, retail, leisure and living spaces around the globe, also as museums such as the Doha MIA. AMIRAN® is candy to achieve uncommonly depression levels of reflectivity (1 % compared to 8 % with conventional float drinking glass) and outstanding color rendering, so that the ornate details backside the glass tin be seen equally clearly as possible. Information technology can likewise be precisely processed in a variety of sizes, thicknesses and designs, with the potential for coatings to make it fifty-fifty more scratch-resistant and easy to make clean.
Reflections reduced to a minimum
SCHOTT AMIRAN® is at its most successful when it's barely seen. As a drinking glass producing hardly any reflection, information technology offers articulate views in all calorie-free conditions, while its strong color stability ways photography is never a trouble. The splendid mechanical strength of AMIRAN®too protects against impacts, scratches, and vandalism, while information technology also offers outstanding chemical resistance and guards the artifacts against harmful UV calorie-free rays even under bright spotlights.
Used materials & similar products
Interior designers Wilmotte & Associates chose SCHOTT AMIRAN® for this projection because of its unrivalled anti-reflective qualities and secure backdrop, besides as its suitability to exist processed very precisely in clean, seamless-looking designs.
Global cooperation for an important Islamic project
Bringing together companies from three different continents, this huge project required meticulous planning and high levels of craftsmanship. SCHOTT not just had to work closely with the interior designers, they also had to reply the challenges set past the lighting experts and display case manufacturers.
Drinking glass fabricated by
SCHOTT
Architect
I. Grand. Pei, New York
Project Manager Planning of the structural framework Calorie-free Planning
Emmanuel Brelot and Fabian Servagnat, Paris
Interior design and exhibition design
Jean-Michel Wilmotte, Paris
Display instance approach and manufacturing
Click Netherfield Ltd, Livingston, Scotland
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Source: https://www.schott.com/en-us/about-us/references/museum-of-islamic-art-doha
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